Haridas Contemporary is excited to announce John Marie Andrada (b. 2001) second solo exhibition with the gallery.

How often have we tried to mark our ideas of growth? It is a process that eludes and empowers, albeit one we have tried to demarcate and demystify. Growth exists in abundance; teems in flourishing moments. Yet, it also lurks at cavernous loss and despair. While we adapt or struggle to present a mirage of reality, an undergrowth persists in our psychology.

Built on the melding of ethereal and corporeal facets of natural phenomena and human anatomy, Echoes of Undergrowth marks Andrada’s second solo at Haridas Contemporary. Featuring sixteen new works comprising of fourteen paintings and two multi-media installations, Andrada seeks to lull the viewer into botanical dreamscapes as they piece together newfound focal points in nature and the physical body.

Haridas Contemporary is proud to announce its participation in ART SG 2026 – FUTURES sector. For its second presentation at the fair, HC will present new works of; notable Singapore artist, Jeremy Sharma (b. 1977), Young Artist Award (YAA) recipient, Melissa Tan (b. 1989), fast-rising Singapore painter, Esmond Loh (b. 1995) and making her debut at Art SG is Singapore-based Filipino artist, John Marie Andrada (b. 2001) – the gallery’s recent addition to its roster of represented artists.

Haridas Contemporary is thrilled to present Melissa Tan’s (b. 1989, Singapore) upcoming solo exhibition in which she debuts a new series of paintings. Tan is known for her intricately detailed metal and resin sculptures, with which she explores her long-standing interests in celestial mapping and mythology. In this new chapter — inspired by an etymological understanding of the word ‘map’, which in old Latin referred to a piece of cloth — Tan unfolds her stories from the scintillant planes of her sculptures, and transports them to vivid new worlds on canvas, where hidden maps of constellations hint at a shifting landscape and story.

In marked contrast to the elegant and steely glint characteristic of Tan’s past exhibitions, From One Sky To Another unfolds in vivid colour. Once incised into metal, Tan’s cast of characters and their stories now inhabit worlds of flesh, land, water, and sky. The palette of this series, ranging from earthy autumnal hues to crisp and clear blues, brings to mind the works of Renaissance masters such as Botticelli and Titian, both of whom Tan referenced for their representations of Greek gods and goddesses. In other works, looser brushwork and luminous colours recall the paintings of the Symbolists, imparting an enigmatic cast to the subject matter.